Biography of Angelica Balabanoff
The Strange Comrade Balabanoff:
The Life of a Communist Rebel
BBorn in 1878 to a wealthy Ukrainian family, Angelica Balabanoff broke ties with her parents and left for Europe to become one of the leading female socialists of the early 20th
century. Just five feet tall, plump and plain, she was rumored to be a lover of Mussolini, Lenin, Trotsky and Stalin. Returning to Russia at the beginning of the October Revolution, she became one of the few women to occupy high-ranking positions within the all-male Bolshevik government, later fleeing Russia in disagreement with Lenin’s politics. She was accused by European and American secret services of promoting communist propaganda, and by the Soviets of disloyalty. She lived in small dormitory-like rooms, moving on average every two years with her two suitcases of important documents.
She died in Rome at the age 96, concluding her 65-year career by supporting Giuseppe Saragat in his quest to become president of Italy. During her nomadic life, state and police
agencies in the countries she visited compiled documents on her. The author draws on this extensive, scattered archive in this first biography of Balabanoff.
To learn more about Angelica visit our page About Angelica. Starting from May 2015 read articles about Angelica, her friends, recipes and hobbies in the blog.
Soviet Posters: Pull-Out Edition
by Maria Lafont
This large-format book of Soviet propaganda posters allows the reader to remove individual posters and is at once a revealing historical document and a sublime example of graphic art at its best. Dating from 1917 to the end of the Cold War, the posters in this book feature the work of groundbreaking Russian artists such as El Lissitzky and Alexander Rodchenko, alongside extraordinary works by their contemporaries.
Presented in full color, printed on heavy paper, and in a large-format, the posters gathered here represent the pinnacle of Russian avant-garde design from the 20th century. They range in theme from the dangers of alcohol abuse and the creeping Nazi menace, to illustrations of utopian harmony and the Soviet industrial machine. A special feature of this book allows for the removal of the posters, which have been designed to fit standard frame sizes. A brief introduction offers a chronological overview of the period that produced such eloquent art, which has long been a major source of inspiration to artists and designers.
Soviet Posters: The Sergo Grigorian Collection
by Maria Lafont
This massive book of Soviet propaganda posters, many rare and never before published, is at once a revealing historical document and a sublime example of graphic art at its best. Dating from 1917 to the beginning of the Cold War, the posters in this book feature the work of such major Russian ground-breaking avant-garde designers as El Lissitzky and Alexander Rodchenko as well as extraordinary works by anonymous artists.
Presented in full color, the 250 posters gathered here range in themes from warnings about the dangers of alcohol abuse and the creeping Nazi menace to illustrations of utopian harmony and the Soviet industrial machine. A brief illustrated introduction offers a chronological overview of the period that produced such eloquent art, which has long been a major source of inspiration to artists and designers.
Pillaging Cambodia – The Illicit Traffic in Khmer Art
by Maria Lafont
The illicit traffic of art is an important problem that affects modern life all over the world. This work addresses the issue using the showcase of Cambodia, where looters systematically destroy cultural heritage. Beginning with an overview of Cambodian history and culture, it explores every aspect of the illicit traffic of Cambodian art. It analyzes the history, size, and structure of art trafficking in Cambodia, its growth and profit margins, and the participants and international crime syndicate involved. It also describes the “demand” side of the story: antique dealers, collectors, auction houses, and museums.
The work deals with the impact of the illicit trafficking on the legal, political, and economic systems of Cambodia, as well as its effect on archeological, historical, and religious values and the cultural identity of the nation. The work also analyzes the current long-term and short-term policies proposed by the Cambodian government and suggests policy alternatives that may be implemented by the Cambodian authorities. An appendix includes the description of all cases of the restitution of objects of Khmer art.